The Kandal province Department of Culture and Fine Arts recently organised a sculpture workshop for traders and artists who are keen to maintain the tradition of Khmer sculpture while also earning from the fine arts and handicrafts sector.

The primary objective of this workshop was to provide insights on how to link and repair stone, wooden and moulded sculptures. The guidelines were designed to align with social norms and techniques. The intent behind this, as explained by the provincial administration on August 17, was so that a wider Cambodian audience can appreciate these sculptures.

"Our Khmer ancestors bequeathed us with beautiful cultural arts to utilise," it said.

Department director Muong Sarim detailed that sculptural figurines have always played a unique role in Cambodian culture and arts. These stone, wooden and moulded figures often find pride of place as decorations or souvenirs. They are prominently displayed in public areas or pagodas, keeping in line with religious customs.

Expanding on this, she mentioned that these figures and figurines come in a diverse array of shapes and sizes. Their carvings, hues and designs are largely influenced by the geographical location, production methodologies and the personal preferences of the Cambodian people. Consequently, a few sculptures might not adhere strictly to the ancestral Khmer guidelines.

Sarim highlighted this as a pressing issue that requires attention.

With optimism, she expressed that she believed the workshop imparted better clarity on the methods involved in the crafting and restoration of these artefacts. The knowledge, she hoped, would resonate with the broader populace. This, in turn, would foster a deeper appreciation and global recognition for Khmer artistic sculptures.

Sarim emphasised the need for all traders, craftsmen and workshop attendees to delve deeper. By undertaking more research, she said they can obtain a more lucid understanding of Cambodian sculptural figures and figurines.